April 2 Releases, 2013

By: Zack Baker, Copy Editor

This week has basically been the week from hell for me. I’ve been buried under papers, exams and quizzes for every single one of my classes, so taking a break from all that stress to check out this week’s new music was much needed for me. And luckily, this week’s releases rule in so many different ways.

Up first is Tyler, The Creator’s Wolf. If you’ve been paying attention to music at all for the past few years, you know who Tyler is. The ringleader of hip-hop collective Odd Future, Tyler’s been putting out music that varies in theme from offensive jokes about rape and homophobia to introspective tracks about his estranged father and social anxiety issues. His collective’s gained quite a following, and the follow-up to his 2011 release Goblin has been hotly anticipated. Wolf is a continuation of these themes, and while production quality has gone up significantly, the weird split between Tyler’s styles has only become more prominent. Next to the album’s numerous high points (“Jamba,” “Answer,” “IFHY,” “Rusty,” “Tamale” and “Lone”), a lot of the songs on this 18 track opus fall flat.

The Cold War Kids also dropped Dear Miss Lonelyhearts and, even though I’ve never listened to the group before, I thought I’d give it a shot. Based on what little I know about the band, this album definitely seems to be incorporating a lot more electronic stuff than their previous albums (it’s 2013, what else is new?). Lots of really thumping basslines here, and Nathan Willett’s vocals fit right in with the chaotic instrumentals below them. Seems like some pretty groovy stuff for anyone looking for a harder take on indie rock with a dash of electronic influence thrown in for good measure.

So, New Kids On The Block are apparently back. How could I pass up the opportunity to see what a band who peaked well before my time are producing well after their prime? 10 is an album with a deeply confusing name (it’s not the ten year anniversary of anything as far as I can tell, nor their tenth studio album), a fantastically outdated album cover and no discernable style of its own. Particularly strange and hilarious is “Remix (I Like The),” which sounds like what would happen if Nickelback tried to do a psuedo-dance track and talked about remixes as a metaphor for a female dancing. Pretty much everything else here sounds like an attempt to bring the boy band craze back, and while it’s nice to reminisce about what bad taste we all had back then, the album doesn’t serve any purpose other than that.

This week also brings the release of new albums from Alkaline Trio and Bring Me The Horizon if you like your music on the heavier side, and Telekinesis and Generationals if you’re more keen to the indie rock persuasion.  

May 31 Album Releases

Here we go again, kiddos! May has been an excellent month for album releases so far. From Okkervil River to Lady Gaga to Fleet Foxes, this fifth month has been nothing short of spectacular. And, once again, we have a lovely and interesting week for new music.

The biggest release this week, at least in my humble opinion, is Death Cab For Cutie's seventh studio album, Codes and Keys. Like any other stereotypical indie chick, I've had a serious musical crush on these guys since I was 14, so I'm obviously pretty stoked for this. Since their last release, Narrow Stairs, lead singer/lyricist Ben Gibbard has found sobriety and married the adorable Zooey Deschanel, so it'll certainly be interesting to see how this reflects on his music, if at all. I know I'm excited!

My Morning Jacket also releases Circuital this week. I'm not too terribly familiar with My Morning Jacket, but their latest album has gotten high marks so far from several music publications, including SPIN. While a lot of bands just start to phone it in after a few albums, these high marks seem to show that these guys are still working hard. Also, Jim James, the lead singer of MMJ, keeps company with Conor Oberst and M.Ward as a part of the supergroup Monsters of Folk, so if his music is good enough for these guys, it's good enough for me.

The next few releases just scream moody middle-schooler to me. First up in this category is Eddie Vedder's Ukulele Songs. I was way too into grunge back when I was 13, so that part of me is always pretty stoked for something new from Vedder, no matter how disappointing new Pearl Jam albums may be. His last solo venture, the Into The Wild soundtrack was a huge success, so this ukulele thing may end up being less weird than it sounds. I also YouTube'd one of the tracks, "Longing to Belong," and the whole thing has an essence of sadness and beauty to it, and of course, Vedder's stellar and standout voice is in the mix, so that's worth the price of admission on its own.

Second up in this moody middle school category is The Melvins 11th live album, Sugar Daddy. Now, I'm not going to pretend to know more about these guys than I do, but I do know that Kurt Cobain was a huge fan and knew these guys pretty well, which impressed me about when I was 12. I also know that they've been around for nearly 30 years, which is nuts. And if they're still touring after being together that long, kudos! They must be doing something right.

Flogging Molly's Speed of Darkness also comes out this Tuesday, which probably has that jerky punk kid I knew in the 7th grade pretty excited. (I still hate you for making fun of my Ataris shirt, by the way.)

And every middle school girl from the '80s has to be excited for Jordan Knight's Unfinished.

So, with a few little indie jams and a lot of things that remind me of those miserably awkward years from 11 to 14, I bid you adieu. Happy listening!

--Carolyn Menyes, Interviews/Live Reviews Editor